The Publishing Business

From the outside, publishing used to look a bit like an enormous skyscraper, maybe shaped a bit like a pyramid, with a tiny top poking out of the clouds above and a row of doors at the bottom with the names of editors and agents written on

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Outlines, Log lines, and so on

One of the most difficult things I have to do, as a novelist, is to come up with a short version of the book. This is, in large part, because I am a novelist—I have a hard time saying anything in less than 80,000 words—but that’s not

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Job list…

One of the things it’s easy to lose sight of is that “writing is a solitary business” has a lot of implications besides “it means you spend a lot of time sitting alone at your computer writing stuff.” Among other things, it means that everything comes down

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Query letters and plot summaries

Mary Kuhner asked: When you’re writing a short intro for a query letter, how far into the plot do you normally go? It depends on the book and what the submission directions say. What the particular publisher says in their submission directions always trumps any and every

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Have I Got An Offer For You…

There are some questions that all writers get, over and over and over. Anything that is repeated that many times gets very old, very fast. One of the most irritatingly common questions is the perennial “Where do you get your ideas?” But even more irritating are the

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Writers, business plans, and me

The “Publishing Options” series concluded with the third post I did last week, but I wanted to also talk a bit about some of the other business decisions writers have to make. Specifically, about business plans. The vast majority of writers don’t have even an informal business

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Publishing options, Part II

This is the second part of a three-part series on things to consider when deciding how to publish one’s novel. All parts come with a warning: I have next to no personal experience with any form of publishing besides the traditional sort. So read the comments; there

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