The Opening

It has become a truism in writing that one should always open a story with a “hook” – something that grabs the reader and pulls them into the story, forcing them to keep reading. The problem with this is that what “hooks” one reader will annoy or

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Exercising, Part 2

Having gone on and on about how much I dislike writing exercises, I’m now going to talk a bit about how and when I think they’re useful. That would be mainly as very specific, targeted ways of addressing particular problems or writing skills that aren’t as developed

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Exercising, part 1

Back when I was in 7th grade, I took a sewing class for beginners. In the first class, they showed us how to work the sewing machines and then gave us pieces of paper to “sew” with a dull needle and no thread, so we could see

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A Few Basic Definitions

When I was writing my first novel, I didn’t know any other writers (well, except for my mother). I’d also never read a how-to-write book. Consequently, there were a lot of things that I did without knowing there was a name for them; as far as I

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The Uses of a Skeleton

Ms. Wrede, do you use a plot skeleton? asked the earnest student. How do you apply it to your work? I sat there for a minute, completely slumguzzled. Because the question was coming from such an alien perspective that it took me a while to come up

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NaNoWriMo

November approaches, and with it comes National Novel Writing Month, a “writing event” that involves people all over the world trying to write a 50,000 word novel from scratch during the month of November. Along with NaNoWriMo comes, inevitably, a flock of earnest would-be writers asking whether

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