Plotting in reverse

This is Part II of me trying to answer LM’s query, specifically the part about backward planning—that is, starting with a climax scene and working out the plot backwards from that. I had a whole other post written, then realized that I had gotten distracted talking about

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How long is it?

Well, based on the comments in last week’s Open Mic, it looks like I’m going to be talking about structure and endings for a while. Rowan M got in first, with a request for a post about length—specifically, how you tell how long a story will be

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Trying something different

One of the things I keep repeating over and over is that if what you are doing does not work, you should try doing something different. The problem is that this seems to go against the deepest instincts people have, because the first thing one has to

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Balance

In many ways, stories are a balancing act, and the balance point for every story depends on exactly what the author is juggling and how much of whatever-it-is they have to keep in the air. A guy riding a unicycle is a balancing act, but so is

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The Writing Process(es)

For purposes of this post, I’m defining “the writing process” as “how people go about getting words on the page.” Not getting ideas, not developing them, not laying down plot or characterization, though all of those things are involved or affected by process. (Writing is a massive

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All the Moving Parts

Happy 2023, everybody! It’s a new year, and this is when nearly everybody (including me) takes at least a few minutes to think about what they want to get done in the coming year. “Write a book” is a perennial favorite. So I thought I’d try to

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Why writing is like cold fusion

It has recently occurred to me that the real problem with writing a novel—or with giving advice about writing a novel—is that writing a novel is a lot like inventing cold fusion. No one in the world has ever invented cold fusion. People have invented a lot

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Trusting your gut

Understanding how stories work improves one’s ability to put them together better. What many people don’t get is that “understanding” can be intuitive as well as—or instead of—analytical/intellectual. Both ways of understanding are subject to error. The “gut feel” that X is the right thing to do

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Finding a plot

I’ve been plot-noodling with a couple of primarily character-centered writers lately, and I’ve noticed that they both have a similar problem. Most of the time, they don’t even see the places where they are dropping plot-hints…and when they do see them, they don’t immediately recognize them. One

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How I Do It –Example

Edited to reformat for readability, per Deep Lurker’s suggestion. This is my version of how-I-develop-it-into-a-scene when I’m having particular trouble. In this case, I started with a conversation “sketch draft” with minimal movement. There are four characters present: Archie, the 15-year-old POV; Del, aged 10; and Harkawn

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