Real-life incidents aren’t all that useful in fiction, in my experience, because real life just sort of happens. Basing a piece of fiction too closely on real-life events and experiences all too often results in stories that don’t work, and which the author justifies by saying “But
Read more →There are three basic ways to handle plotting a story, whether it’s a short story, a stand-alone novel, or an epic twenty-volume series: 1) You can do it intuitively as you write, 2) You can plan it out in advance, or 3) You can write a bunch
Read more →I’ve been mulling over green_knight and accio_aqualung’s request for something on plotting multi-volume stories for a few days now. It’s not easy, because on this question, I’m working mainly from observation. The closest I’ve come to writing a multi-volume story myself are 1) the Lyra books, which
Read more →What makes an ending “The End”? In a word: closure. At the end of the story, whether the heroine won or lost, she’s not going to get another chance to try. The Evil Overlord is gone for good, the wedding is on (or off), the murderer has
Read more →I just (and I mean just, as in, haven’t unpacked the suitcase yet) got back from Chicago. The planned five-day trip turned into six (I should have known better than to schedule the meeting with the lawyer for the last day), but the estate tax return is
Read more →Worldbuilding in some sense is a requirement for all writers. The people and places in fiction may have analogs in real life, but a writer in the U.S. cannot depend on every reader (or even most readers) being familiar with the Lincoln Park area of Chicago or the
Read more →Another thing that it is really important to pay attention to in first-person writing is what that character knows. Not what he/she knows about the plot; that should be obvious. About everything else. When your first-person narrator looks at the street outside his house, does he see Fords and
Read more →As I’ve said before, the term “viewpoint” gets used to mean both the person who is seeing the action (viewpoint character) and the way in which everything is written (viewpoint type). This is going to be about the latter sort of viewpoint. Specifically, it’s about first-person. First-person
Read more →When professional writers are asked “what are the books you keep within arm’s reach of your desk or computer?”, many of the lists have for years included Strunk and White’s The Elements of Style. Fowler’s Modern English Usage is also popular, as is The Chicago Manual of
Read more →How do you decide where a story starts? Stories, short or long, generally are not about characters who are happily living their normal lives. Something unusual is going on; something has upset the status quo (whether the status quo was a miserable life as a slave, or
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