Several years ago, I was asked to give a speech on the topic of book-banning, from the viewpoint of a fantasy writer. It’s quite long, so I have carved it up into four parts to post as part of Banned Books Week. It begins with a story, because I
Read more →Every year, the American Library Association holds Banned Books Week in September. This is that week. I’ve felt rather strongly about Banned Books Week for a long time — even before I met the teacher who was nearly fired because she put “Dealing With Dragons” on the
Read more →Exactly what constitutes “good writing” is a subjective judgment, and it can be extremely hard to separate from one’s personal taste – not the least because one is unlikely to read books one doesn’t like, and if one doesn’t read them, one can’t tell whether they’re “good writing”
Read more →Years ago, when I was an unpublished wannabe, I was at a local SF convention trying to learn the True Secret of Writing from the professional writers in attendance. One of them (I think it may have been Gordy Dickson) threw out a piece of advice that
Read more →Why don’t you do a collection of Enchanted Forest short stories, like Book of Enchantments only all Enchanted Forest? Well, mainly because I’m a novelist. Short stories are really hard for me; in thirty years as a writer, I’ve written roughly fifteen publishable short stories. Ten of
Read more →I asked Caroline to do a guest post on her view of writing Kate and Cecy, particularly The Mislaid Magician. And this is what she says: — Pat said, “You’re going to kill me.” That’s the way I remember my first encounter with THE MISLAID MAGICIAN. Pat
Read more →Alex asked “how you felt about the stand alone getting a sequel with the Kate and Cecelia books. I think you did an amazing job with escalation with these books, but did you have a hard time creating the right level of escalation?” Well, for starters, “getting
Read more →The comments on the last post started getting into endings and the escalation of threat, particularly as related to series books, and I discovered I had quite a lot to say on the subject even though I haven’t written a long-running series myself. The first thing is
Read more →There are a couple of ways of looking at plot, ranging from the bird’s-eye view at a macro level to the order of scenes, and events and incidents within scenes. The one most people run across first — and one of the most useful ways of looking
Read more →In the comments on the last post, S.A. Cox said “Historically, however, with both writing and teaching, one of the main keys to my development has been trusting my instincts about what is working and what isn’t, and then working like a dog at what isn’t.” My
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