Sometimes it seems that there are a zillion different metaphors for how writers construct a plot. There’s the sculpture metaphor (carve away everything that doesn’t look like an elephant). There’s the pottery-making metaphor (add a lump of clay, work it until you have the center, then shape
Read more →Plot is one of the things that has nearly always come easy for me. I had to spend a long time learning how to develop characters, how to write dialog that didn’t sound like one person monologuing, how to put together a setting that worked, and how
Read more →Years ago, when I was just starting to learn my craft, I attended a panel at which someone asked a question about plotting, plots, and how to come up with a good plot. One of the panelists immediately replied that the best way to learn to plot
Read more →Practically every how-to-write book I’ve ever read (and I have read quite a few) breaks down “writing fiction” into a bunch of different areas – plot, characterization, structure, dialog, theme, etc. – and then examines each area separately, usually at the level of sentences or paragraphs. This
Read more →Subtext. According to one of my friends, it’s a “writer thing” that doesn’t matter much to ordinary readers and can therefore be ignored – indeed, that should be ignored if a writer wants to appeal to the maximum number of readers. I am pretty darned positive that
Read more →Every so often, I get a request from someone to do a guest blog post or answer some questions for a survey article someone is writing. I almost always turn them down; it is hard enough keeping up with twice-weekly posting on my own blog without adding
Read more →I have officially been in the book business since the late 70s, when I started work in the finance department at B. Daltons; I’ve been selling my writing since 1980, when Ace books bought my first novel, Shadow Magic. So that’s a bit more than thirty-three years,
Read more →Once you know enough about your main characters to go on with, you have a whole raft of additional characters who also need to be dealt with. Six realistic, deeply realized, well-rounded, fully developed characters surrounded by five or fifteen or thirty cardboard cutouts do not make
Read more →There are a couple of truisms in fiction, and one of them is “stories are about people.” I’d say “Most stories…” but unless you’re really setting out to write something like Islandia or Utopia or Voyage to Arcturus, you can pretty much go with the truism. This
Read more →I’ve had a couple of emails in the past week about writing YA or teen fiction, with emphasis on what the writer has to do differently in terms of plot, worldbuilding, characterization, description, dialog, etc. when writing for that audience. So I thought I’d talk a bit
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