Killing them softly…

“He was already dead when I got there” is a common claim in mystery novels, but all too often it’s also the answer when fans ask writers “Why did you kill off my favorite character?” And as with mystery novels, the claim is frequently disbelieved, especially when

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Meeting the author

A while back, I had a frustrating conversation with a guy who claimed to want to write. I’d hoped for better, given his email (which was why I agreed to meet him in the first place), but…well. So here are some of the things he did right, and a

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Futurespeak

The other day, my walking buddy and I were discussing the use and misuse of slang in SF and fantasy. She was particularly exercised over an author whose entire repertoire of “future speak” seemed to consist of awkward and obvious portmanteau words like “carrocoli” for a hybrid

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Five W’s and…

Back in high school, I took one semester of journalism. As is pretty typical for a beginning journalism class, it concentrated on drilling into us the importance of the classic “five W’s and one H” – the Who, What, When, Where, Why, and How – that we were

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Crowd scenes

One of the first things I ever learned to hate about writing was writing council scenes. One character on stage had things to do; two characters on stage could talk to each other; three could talk and interrupt and disagree. But with every character after that who

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Being edited

“So how can you stand being edited?” is a question that’s been coming up at conventions lately. The subtext usually assumes that all editors are a) idiots and/or b) out to ruin everyone’s brilliant manuscripts, and that they must therefore be fought off with every bit of

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Building in the time

“How do you write with a day job/kids/other responsibilities?” is a question that doesn’t have an easy, one-size-fits-all answer, because, like so many other aspects of the writing process, exactly what works depends on the particular writer. But there are a few principles that can be applied.

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Icebergs and soap bubbles

Worldbuilding is one of those basic skills that’s important for all writers, but vital for those of us who write in totally imaginary science fictional or fantasy worlds. There are two basic approaches, the soap bubble and the iceberg. For the iceberg worldbuilders, there’s a whole lot

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