Worldbuilding is one of those basic skills that’s important for all writers, but vital for those of us who write in totally imaginary science fictional or fantasy worlds. There are two basic approaches, the soap bubble and the iceberg. For the iceberg worldbuilders, there’s a whole lot
Read more →Spring is always a busy time for YA authors and would-be authors. Teachers are trying to come up with ways of keeping middle-grade and younger students interested when the weather is turning nice, so they have students write to their favorite authors, and if they can swing
Read more →Years ago, I had a chance to talk to a bunch of high school English teachers about writing, and one of the first things they asked was what my high school teachers had done to inspire me to write. I had to honestly tell them “Nothing,” because
Read more →One of the questions everybody seems to ask writers – right after “Where do you get your ideas?” – is “Do you have a time of day when you write?” I can’t figure out whether they want me to say “yes,” hoping that writing is the same
Read more →A lot of my friends have trouble writing action scenes. Not on the sentence-by-sentence level – they know all the tricks and tips – but on a more general level. They know that their first-person viewpoint character is only going to have a close-up, confused picture of
Read more →Infrastructure is all that everyday stuff we take for granted, from roads and bridges to garbage collection and cell phones. It’s one of the things that allows societies to function smoothly, if they want to. It’s vitally important…and it’s also vastly boring. Consequently, writers tend not to
Read more →Earlier this week, Minnesota Public Radio replayed an interview with novelist Richard Ford, and some of his comments (around 23 minutes into the broadcast) got me thinking about landscape. First off, landscape isn’t the same as setting. They overlap, of course, but one can tell an urban
Read more →So I’m back from five days at the Sharjah Children’s Reading Festival in the United Arab Emirates and beginning to recover from the hideous jet lag and nearly 24 hours of travel (each way, counting layovers and plane delays) that it took to get there. Since I’m
Read more →One of the worst criticisms that can be leveled at an author is “He has a tin ear for dialog.” In short form, it means the writer in question doesn’t do dialog well; in the longer version, it means the writer has no sense of the rhythms
Read more →“If you say in the first chapter that there is a rifle hanging on the wall, in the second or third chapter it absolutely must go off. If it’s not going to be fired, it shouldn’t be hanging there.” – Anton Chekhov, quoted in Shchukin’s Memoirs At
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