“There are three rules for writing a novel. Unfortunately, no one knows what they are.” -W. Somerset Maugham I’ve had at least four questions from people in the last week or two about that hoary old piece of advice “show, don’t tell.” So even though I just
Read more →…“and what is the use of a book,” thought Alice, “without pictures or conversations?” -Lewis Carroll, Alice’s Adventures in Wonderland Dialog occupies an odd place on the list of fundamental fiction-writing skills. It’s a component of nearly all fiction, but it’s not absolutely necessary (Hatchet and My
Read more →“subplot – a secondary sequence of actions in a dramatic or narrative work, usually involving characters of lesser importance (and often of lower social status).” – The Concise Oxford Dictionary of Literary Terms Subplots are one of the largest and most obvious differences between short stories and
Read more →I apologize for being a bit late with this today. Revising a first draft is one of those things that sounds as if it’s easy to talk about until you try…and then once you start digging into it, you start wondering how it’s even possible to do,
Read more →Back when I was writing my first novel, I got somewhere in the middle and realized I needed to write a battle scene. Not just a bar brawl or a fight between six of the good guys and ten or twelve bad guys; an actual clash of
Read more →One of the many things nobody warned me about when I was getting started was all the self-proclaimed “experts” who would show up and start giving me advice about my writing career, whether I wanted it from them or not. By and large, these are not people
Read more →“Show, don’t tell” is one of the two most misunderstood and misapplied pieces of writing advice that are commonly given to new writers (the other being “write what you know,” but that’s a different post.) It’s most commonly trotted out in relation to characterization, where “show” generally
Read more →Back in the day, one of the pieces of advice I got that drove me crazy was “you have to learn to read like a writer.” I didn’t know what that meant, and no one ever really explained it to me. Evidently it was one of those
Read more →It’s pretty easy for most writers to get about four chapters into something based on an interesting idea/situation/character/plotpoint and a bunch of mysterious happenings. But somewhere around Chapter 4, one hits what has been variously termed “the wall,” “the first veil,” or “the first event horizon.” Sometimes
Read more →A quick recap from last time: the primary principles to apply when writing a query letter are that you keep it short and specific; that the story synopsis matches the book; and that you are not coy in the manner of back-blurbs. Just in case somebody isn’t
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