Metaphorical manuals

This summer, I got a new car. Well, new to me – it belonged to Dad for several years, until he decided that with Mom gone, he didn’t really need two cars and he liked the other one better. Anyway, it’s a 2008 model, with lots of

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When they don’t wanna

One of the most frustrating things that happens to writers is having a batch of characters worked into just the right spot for the plot to take off…and discovering that they won’t do whatever is supposed to come next. When you want your characters to go left, and

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A few things not to do

In the last couple of months, I’ve had the opportunity to observe a number of new writers doing things that…well, to say they don’t work is a serious understatement. I’m not talking about the writing itself, at the moment. I’m talking about the business end. There are

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Too many, too much

There’s a problem I’ve noticed cropping up more and more often lately, in the way some authors first develop and then over-develop their plots and subplots, allowing both them and their characters to proliferate beyond the ability of mere mortals to keep track of them all, until

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When is it over?

When is the story over? Really over, I mean, as in “this is the last paragraph, and what comes next is ‘The End’ at the bottom of the page.” This is usually some way after the big climax in which the central story problem is solved (they

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Family

Tomorrow is Thanksgiving in the U.S., which is generally considered a family day, so I thought I’d talk about family and writing this time. One way or another, family is something every writer has to deal with, and it’s never nice and clean-cut. Family can be supportive,

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