When they don’t wanna

One of the most frustrating things that happens to writers is having a batch of characters worked into just the right spot for the plot to take off…and discovering that they won’t do whatever is supposed to come next. When you want your characters to go left, and

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A few things not to do

In the last couple of months, I’ve had the opportunity to observe a number of new writers doing things that…well, to say they don’t work is a serious understatement. I’m not talking about the writing itself, at the moment. I’m talking about the business end. There are

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Too many, too much

There’s a problem I’ve noticed cropping up more and more often lately, in the way some authors first develop and then over-develop their plots and subplots, allowing both them and their characters to proliferate beyond the ability of mere mortals to keep track of them all, until

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When is it over?

When is the story over? Really over, I mean, as in “this is the last paragraph, and what comes next is ‘The End’ at the bottom of the page.” This is usually some way after the big climax in which the central story problem is solved (they

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Family

Tomorrow is Thanksgiving in the U.S., which is generally considered a family day, so I thought I’d talk about family and writing this time. One way or another, family is something every writer has to deal with, and it’s never nice and clean-cut. Family can be supportive,

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Obstacles in the Middle

Last post, Libby said: I’ve been having trouble with that point in a story from the lead-up to the climax to the aftermath… once I hit the part where all the stuff I’ve been alluding to has to APPEAR, things tend to go over too smoothly and

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Fear

All writers are afraid of something at one point or another. We are afraid of looking foolish; we are afraid of rejection; we are afraid of overreaching, of not knowing how, of getting it wrong, of not being good enough. We’re afraid of being broke, being taken

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