Writers who set their stories in the real world, whether modern or historical, have a double advantage over those of us who alter reality/history to suit our own ends, or who make up our own versions from whole cloth. The first advantage is that they can look
Read more →Back in grade school, when they taught us to write essays, the first step was always “decide on a topic,” and the second one was “make an outline/plan.” Nowadays there’s a lot more focus on creativity, i.e., writing fiction instead of essays. Based on what I’ve seen
Read more →Another one of the truisms about writing that you hear a lot is “the power of the telling detail.” And it’s quite true; a single specific detail at exactly the right time can do more to evoke a world or a mood than pages of description, even
Read more →One of the things that professors of literature have been doing ever since they were invented is trying to analyze literature of all kinds. And one of the chief ways of analyzing something is to break it down into small pieces, label them, and then look for
Read more →Narrative summary is possibly the most flexible of the various ways of presenting a story. Narrative summary doesn’t necessarily tie the author down to chronological order, the way dialog and dramatization do, nor does it require a focus on one particular aspect of the story, as description
Read more →Years ago, before I was ever published, I was at a convention where Gordy Dickson was answering writing questions for a mob of would-be hopefuls. And somebody asked the “how do I write deep characters?” question, and I was kind of disappointed in the answer, because it
Read more →Matt G. asked: The burning question for me is character depth. How can you encourage the readers to identify with your characters? How can you add “depth” to characters – so the reader is rooting for them? This is a fairly difficult question to answer, largely because
Read more →There’s an analogy that’s been around for a long time – I’ve been using it myself for years – comparing writing a novel to a long-distance road trip, usually at night. The comparison goes, in the car, you can only see as far as the headlights light
Read more →scene: in a drama, a subdivision of an act or of a play not divided into acts….”scene” is also the name given to a “dramatic” method of narration that presents events at roughly the same pace as that at which they are supposed to be occurring, i.e.,
Read more →Recently, a fan came up to me, enthusiastically waving Thirteenth Child. “This book blew me away!” he said. “It breaks all the rules! How did you do that?” Naturally, I looked him straight in the eye and said, “What rules?” What most would-be-writers mean when they’re talking about
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