Rewriting the past

“The past is a foreign country; they do things differently there” – L.P. Hartley  One of the tricky aspects of writing books set in any vaguely recognizable version of history is the inevitable clash between now and then, on pretty much every level. There are an enormous

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Mailbag #5

What first inspired you to write? I hate questions like this because they make so many assumptions about “inspiration.” But since you ask… Probably a combination of my mother, my father, and the family I grew up in. This tends not to be the answer people are

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Barn Door

Once again, I am late on a book. This time, it’s a combination of things: first off, I didn’t count on how much time handling my Dad’s taxes would take this year; second off, I didn’t count on yet another family crisis involving meeting with lawyers and

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On Characters

There are four really, really important things to remember about characters: Characters are people. (Yes, even if they’re aliens or elves or talking rabbits.) People, and therefore characters, are all the same. People, and therefore characters, are all different. Most important of all: Every person, and therefore

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Cash flow

Back when I was just out of college, I remember laughing at one of my friends who was complaining about the effects of her promotion on her budget. “Sure, I get more money now,” she said. “But I only get it every two weeks, not every Friday!

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Big three redux

I’ve talked more than once about the Big Three – plot, characterization, and setting. They started off as the earliest writing advice I recall getting (and I wish I could remember the name of the writer who told me that, so I could credit him properly), as

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Hardy perennial

“Where do you get your ideas?” is probably the most-asked question writers get, and one of the reasons writers hate getting it is because it can actually be fairly hard to answer. Oh, not if the person asking the question is a semi-interested reader who’s more interested in making

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