Disasters bring out the best in a lot of people. We see the pictures on TV or the web, and want to help; it’s a natural, human thing. Writers are human; we have those same reactions. We pull out our credit cards and donate to the Red
Read more →So I’m still poking through all the programs for writers. Storybook turned out to be another one that was more of a planner than a writing program, which shouldn’t have surprised me, since it bills itself as a writing organizer. If I wanted a separate one of
Read more →I have a confession to make: I love playing with writing programs. They’re a window into other writers’ working processes, something I find utterly fascinating and always have. Lately, I’ve had another reason for poking through what’s available: the latest and last version update to my favorite
Read more →Nearly every piece of fiction has one main character and one central problem. Even when the story is told from multiple viewpoints with an ensemble cast, each of whom has a different important plotline, there is almost always one plot problem that is the problem that the
Read more →“When I use a word,” Humpty Dumpty said, in a rather a scornful tone, “it means just what I choose it to mean-neither more nor less.” – Lewis Carroll One of the things I didn’t understand when I started writing was the pliability of words. Oh, I
Read more →Sooner or later, everyone gets stressed, and stress affects everybody’s writing, one way or another. There are a few folks whose writing is their escape from stress, who write more when they get more stressed and less when they get happy, but that doesn’t seem to be
Read more →The Twin Cities are currently cleaning up after the…fourth or fifth? I forget…big storm of the season. Somewhere between a foot and a half and two feet of snow fell from Sunday afternoon to Monday evening, on top of the more-than-a-normal-winter’s-worth that we’d already had by the
Read more →A long time back, a friend of mine (tongue firmly in cheek) told me that when it came to fiction, all the trashy stuff was full of sex and violence, while all the great literature was about love and death. The truth underneath that bit of word
Read more →“I don’t CARE what happens to these people.” – Dorothy J. Heydt Stories are, at bottom, about people (or people-analogs, like anthropomorphized talking animals). But more than that, they’re about people or people-analogs that the reader cares about. Hooks and cliffhangers, opening in medias res, lots of
Read more →Teresa Nielsen Hayden, one of my many editor friends, once claimed that writers are like otters. Apparently, if you are trying to train animals, the normal method is to provide praise and rewards when they do something you would like them to do; the theory is that
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