Whether you’re struggling through a first draft, revising a completed manuscript, or composing a query letter, one of the more useful things you (or your prospective agent/editor) should probably know is what is at stake for the characters in your story. But what, exactly, does that mean?
Read more →One of the first things a lot of writers get told is to “think about your audience” or “imagine your ideal reader.” This is one of those balancing-act bits of advice. I personally think there are more down sides than up sides, but either way, the fact
Read more →It is open mike week! I just got back from a long vacation with my sister and friends, so I am catching up and getting back into routines. What are all of you up to? Or what do you want to complain about? Or hear about?
Read more →Finishing your first novel is a matter of lather, rinse, and repeat—you write a bunch of pages, pause to think and make up more, or do some suddenly-necessary research, or reassure yourself that you really did put that necessary information in some prior chapter, and then you
Read more →Once you’ve gotten started on your novel, you might think that all you have to do is repeat the process, writing a bit every day (or every Saturday morning, if that’s all the time you have), or lurching forward in huge chunks with gaps of a week
Read more →When you’re writing your first novel, there are two main things you need to remember about Chapter One: First, the opening chapter is just as important, in terms of catching the interest of readers and/or editors, as nearly every how-to-write book or website says it is. Second,
Read more →Once you’ve committed to the seed-crystal idea you’re going to turn into your first novel, you’ll have to develop it. (The commitment part is important. There will be some point—possibly more than one—in this process where everything you’ve written sounds stupid, clichéd, or just too frustrating to
Read more →Welcome to 2025! Lots of people do New Year’s resolutions, or come up with annual goals, or set intentions, or do some similar type of life planning at this point in the year. And apparently “write a novel” is on a lot of those lists of goals.
Read more →Even in a novel that has a prologue, the writer will, at some point, need to get more context into the story somehow. (Most novels don’t need a prologue–see last week’s post–and those that do, don’t need the twenty-plus pages that would give the reader everything they might
Read more →Context is important. It’s not the only thing that is important in a story, though, and sometimes it isn’t as important as writers think it is. Getting the context into the story is a perennial writing difficulty. There are two main solutions: working the context into the
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