First novels Part 2-Prewriting

Once you’ve committed to the seed-crystal idea you’re going to turn into your first novel, you’ll have to develop it. (The commitment part is important. There will be some point—possibly more than one—in this process where everything you’ve written sounds stupid, clichéd, or just too frustrating to

Read more

Weaving in Context

Even in a novel that has a prologue, the writer will, at some point, need to get more context into the story somehow. (Most novels don’t need a prologue–see last week’s post–and those that do, don’t need the twenty-plus pages that would give the reader everything they might

Read more

Context: Prologues

Context is important. It’s not the only thing that is important in a story, though, and sometimes it isn’t as important as writers think it is. Getting the context into the story is a perennial writing difficulty. There are two main solutions: working the context into the

Read more

Room in your head

The holiday season is now officially in full swing. Around here, it starts slowly, a bit before Halloween, then ramps up gradually until just before Thanksgiving. Thanksgiving week is a steep climb full of preparations for either going somewhere to celebrate or hosting a celebration, and after

Read more

Plots and Projects

A few years ago, I was talking to a businessperson at a family gathering, and I made a comment about my then-current work in process. He immediately assumed that my “project” (writing a book) would be “done” once the book was published and on the shelves for

Read more

Outlines, Log lines, and so on

One of the most difficult things I have to do, as a novelist, is to come up with a short version of the book. This is, in large part, because I am a novelist—I have a hard time saying anything in less than 80,000 words—but that’s not

Read more