Holiday writing blues

November is possibly the second-worst month in which to start a new novel. I’d peg December as the worst one, for the same reason: everyone is always extra busy and distracted during the end-of-year holidays. (These are also bad months for trying to finish a novel. In

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Thanksgiving Open Mike!

Happy Thanksgiving! Open Mike day matches up with Thanksgiving week this year–so what are the other Americans doing for Turkey Day?  I’m staying home, making lobster tails, pesto salad, cranberry bread, and my favorite veggie side dish while taking calls from my spread-out family members. I’ll get

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Braided stories

Braided novels are a specific subset of multiple-viewpoint structure. In a braided novel, there are two or more protagonist characters who each have their own “A” plot-problem, which usually occur over the same time period and which come together in the same (or parallel) climax. The stories

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A vs B

What is a “B” plot? Like most writing jargon, it depends on who you ask. On the most fundamental level, the A plot is the main storyline, the central problem that, once solved, means the story is over. The dragon is dead/tamed; the war is over; the

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Frames and Fix-ups

Last week, I talked about some things to do with novellas (besides self-publishing them). Most of them involved ways of making them longer, essentially turning a novella into a novel. I’m going to do a post on the three things I came up with, starting with the

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Novella-ists

Curious about people’s thoughts on natural length. Mine seems to be the novella (first work was 26k and second is just under 50k) which is awkward for doing anything with in traditional publishing (and I am not cut out for self publishing). –Rose What do you do

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Setting and landscape

Once, long ago, I heard a writer complain that writing descriptions of setting was “saying the boring part out loud.” Okay, obviously that person finds descriptions boring, probably as both a reader and a writer. If that’s you, my advice is to figure out what the minimum

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Open Mike Again

October’s Open Mike has arrived! Chat amongst yourselves, brag, ask questions, complain about your WIPs, whatever you want. I am basking in the knowledge that I am in between the rough draft and the editorial revisions, so I actually have time for a few other things…

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Picking What Works for You

Over the years, I’ve noticed that at a lot of conventions, there’s a writing-advice panel with a title like “Picking Writing Tips and Tricks that Work for You.” They almost always end up going in one of two directions—either  they turn into a list of the tips

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The Publishing Business

From the outside, publishing used to look a bit like an enormous skyscraper, maybe shaped a bit like a pyramid, with a tiny top poking out of the clouds above and a row of doors at the bottom with the names of editors and agents written on

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