Description is as much about what you choose to describe and when you choose to describe it as it is about how you describe it. Furthermore, there are really significant differences in how much description different readers like or can even tolerate, and no writer is going
Read more →The last two posts have talked about the basic parts of a plot. How you get to it – the process of building or fixing a plot – is pretty basic, too. The specifics tend to vary from writer to writer, and often from book to book,
Read more →Quick review: Plot, in its most basic version, goes like this: A character (or characters) have a problem Where something important is at stake That the character(s) care deeply about. They try to solve the problem, and Eventually succeed or fail. I went through the first three
Read more →By popular demand, I’m starting the “basics” posts with plot. Plot, in its most basic version, goes like this: A character (or characters) have a problem Where something important is at stake That the character(s) care deeply about. They try to solve the problem, and Eventually succeed
Read more →Every skill, including writing, starts with a bunch of things that are really basic. If you want to be a carpenter, you learn to hammer nails and saw wood; if you want to be a writer, you learn how to write clear, coherent sentences. After a while
Read more →Over the past few months I’ve had a number of writing questions that superficially are all very different, but that, if you back off a bit and look at them, boil down to “Ms. Wrede, why do people keep telling me that I can’t/shouldn’t use XYZ non-standard
Read more →There are three basic ways to get multiple plot points and payoffs into a story: you can do it on purpose in the first draft, you can do it by accident in the first draft, or you can do it in the rewrite. Putting in plot points
Read more →When I was in grade school, one of the first writing assignments we got was to write a paragraph describing something, usually a single object. As I progressed in school, the assignments increased in length and complexity, from a single object to a room, from a room
Read more →Narrative drive is the thing about a story that makes it a compulsive read. It what creates the just-one-more-page/scene/chapter syndrome, the I-stayed-up-til-three-a.m.-to-finish condition, the thing that makes certain series like eating potato chips. And it has absolutely nothing to do with action, and very little to
Read more →Everybody gets 24 hours per day, 7 days per week. That’s 168 hours, total. Nobody gets any more; nobody gets any less. Yet somehow one of the first things that gets asked when I talk to a bunch of would-be writers is “How do you make time
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