I’m still listening to that 12-hour series of lectures on literature, and today’s talk was about plot. Practically the first thing the lecturer did was to quote the thing about there being only two plots: the hero takes a journey, and a stranger comes to town. I’ve
Read more →So MaKayla asked about deadlines, specifically whether they’re good or bad, interfere with the process or enrich it, etc. The answer is “It depends on the writer.” I know writers who freeze up at the mere thought of a deadline, and writers who can’t seem to write
Read more →Last time, I talked about ways to get series backstory (the stuff that has happened in the previous books of a series) into the sort of series that’s really a three- or five- or seven-volume novel split into parts. Today I’m talking about the backstory for the
Read more →Every so often I get an email request from one of the readers of this blog, asking me to address a particular writing question. This week’s inquiry boils down to “When you’re writing a series, and you’re on book three (or five or nineteen), how much backstory
Read more →I’m back home at last, after a solid week without a decent internet connection (hence the lack of a post last Wednesday. My apologies). Conjecture was great fun; I recommend it to the attention of anyone in the San Diego area around this time next year. The
Read more →Today I decided to talk about frame stories. “Frame story” is a bit of a misnomer; it’s actually short for “story with a frame,” and it’s a very specific story structure in which the opening (whether that’s the prologue, Chapter One, or the first scene) and closing
Read more →The trip continues; we have reached LA after a stop in Las Vegas (neither of us did any gambling, but we ate some great food and saw Cirque du Soleil’s Mystere). And in justice to my father, I have to point out that when he ran off
Read more →Writing is not a visual medium, not in the way that photographs, paintings, or movies are visual. Yet there are readers and writers who think of it this way. It’s quite common for writers to describe “the movie in my head” or “seeing the scene and just
Read more →Body language is one of those things that has to some extent become a code. “He shrugged” “She sighed” “I smiled” and so on have become almost like punctuation – nearly meaningless things inserted into a paragraph or a line of dialog to let the reader know
Read more →Next week, I’m leaving on a 2-1/2 week road trip with my father. It’s not really a vacation – I’m guest of honor at Conjecture in San Diego Oct 5-7 – but Dad and I decided to take the extra time to drive out from Chicago and
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