Micro-level bad habits

A lot of story analysis and critique starts by focusing on macro-level aspects of storytelling: characterization, narrative, worldbuilding, plot, and the ways one develops or reveals these things over the course of a novel. Ultimately, though, how one presents characterization, growth, personality, action, worldbuilding, plot, and everything

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Showing up

First a couple of announcements and links. This is the last week to apply for the Odyssey Workshop class on worldbuilding that I will be teaching in January. The sign-up page is at https://odysseyworkshop.org/worldbuilding.html; there are also some posts at https://www.facebook.com/OdysseyWorkshop, https://twitter.com/OdysseyWorkshop, and https://www.instagram.com/odysseyworkshop/. And I had a lovely

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Making it Harder Than It Needs To Be

Writing isn’t easy. Everybody says so – pantsers, planners, linear writers, nonlinear writers, plodders, burst writers … everybody. So why do so many of us make it harder than it already is? People who are natural short story writers have their hearts set on writing novels. People

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The Down Side of Quotas

One of the ways writers attempt to make themselves produce more words fast is to give themselves quotas and/or deadlines. “I will write 1,000 words/four pages/for three hours every day/week/month.” Most of the time, this doesn’t work terribly well for me, for several reasons. The most obvious

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Places and things, mainly

Over the last couple of decades, I’ve noticed that more and more of the newer writers are over-describing things. It looks to me as if they are attempting to create a clear and specific image in words, the way a camera does with, well, a photo. At

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The Hero’s Journey

The hero’s journey   If you’ve read much how-to-write advice in the past forty years, you’ve probably seen much talk of “The Hero’s Journey,” which is supposed to be the fundamental template or structure that lies underneath all great stories. It’s generally attributed to Joseph Campbell…but really,

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Patterns

As many readers of this blog know, I am a knitter, and have been for years. When I first learned to knit, I wanted strict directions for anything more complicated than a rib-stitched scarf: a pattern that calls for this yarn and that needle size. I focused

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Writing basics: Show and tell

“Show, don’t tell” has been basic fiction writing advice since Homer. It could be rendered less colloquially as “Dramatize, don’t summarize,” but either way, it doesn’t say “Show everything, tell nothing.” This leaves many beginning authors with two unanswered questions: 1) How, exactly, is showing/dramatizing different from

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