One of the things that bites even experienced writers from time to time is giving insufficient consideration to the ways their characters react to things. (Me blogging about this has nothing to do with the fact that I just turned in the copyedit for The Far West
Read more →Characterization is one of the things I had a hard time getting a handle on. In my early books, I was doing it all by instinct – which was all well and good (I still do it pretty much by instinct), except that I hadn’t thought about
Read more →Years ago, before I was ever published, I was at a convention where Gordy Dickson was answering writing questions for a mob of would-be hopefuls. And somebody asked the “how do I write deep characters?” question, and I was kind of disappointed in the answer, because it
Read more →Matt G. asked: The burning question for me is character depth. How can you encourage the readers to identify with your characters? How can you add “depth” to characters – so the reader is rooting for them? This is a fairly difficult question to answer, largely because
Read more →There are four really, really important things to remember about characters: Characters are people. (Yes, even if they’re aliens or elves or talking rabbits.) People, and therefore characters, are all the same. People, and therefore characters, are all different. Most important of all: Every person, and therefore
Read more →I’ve talked more than once about the Big Three – plot, characterization, and setting. They started off as the earliest writing advice I recall getting (and I wish I could remember the name of the writer who told me that, so I could credit him properly), as
Read more →Back in high school, I read a lot of mystery novels, many of which were police procedurals, and I got the basic triumvirate for figuring out who was the killer pounded into my brain: Means, motive, and opportunity. They actually apply to any villain undertaking any dastardly
Read more →Yesterday, while bemoaning my lack of blog post topics to my walking buddy over our post-walk stop at the coffee shop (she gets coffee; I get tea), I had a revelation. (OK, not a big heavenly-choirs, life-changing sort of revelation, just a tiny hey-I-can-turn-that-into-a-blog-post revelation, but I’ll
Read more →“I don’t CARE what happens to these people.” – Dorothy J. Heydt Stories are, at bottom, about people (or people-analogs, like anthropomorphized talking animals). But more than that, they’re about people or people-analogs that the reader cares about. Hooks and cliffhangers, opening in medias res, lots of
Read more →One of the things writers are urged to do, over and over, is to create characters who grow and change over the course of their adventures. Obviously, growth and change are not an absolute requirement; there are plenty of long-running series in which the characters are exactly the
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