Meeting the cast

How well does a writer need to know her characters? There seem to be two sets of conventional wisdom about this. One holds that writing characters is rather like method acting – the writer has to become the character, so as to know them from the inside.

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Who’s THAT?

So you have a bunch of characters, and you want your readers to get to know them. How do you do that? Well, how do you get to know people in real life? You find out about them based on what other people say about them (“”He’s

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The Good Guys

To my mind, a purely altruistic, goody-two-shoes hero is even more boring and unrealistic than a purely evil villain. Maybe because at least the villain is getting something out of being a villain? All those armies to order around, and castles, and power, and so on. OK, people

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The Big Bad

One of the things you see a lot in fantasy stories is  a villain who is purely and simply evil and knows it. No rationalizations, no semi-plausible rationales, not even a rotten childhood to blame it on, just the Dark Lord Who Wants To Take Over The World Because He

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