“I don’t CARE what happens to these people.” – Dorothy J. Heydt Stories are, at bottom, about people (or people-analogs, like anthropomorphized talking animals). But more than that, they’re about people or people-analogs that the reader cares about. Hooks and cliffhangers, opening in medias res, lots of
Read more →One of the things writers are urged to do, over and over, is to create characters who grow and change over the course of their adventures. Obviously, growth and change are not an absolute requirement; there are plenty of long-running series in which the characters are exactly the
Read more →Early on in nearly every story, the writer comes across the necessity of doing a physical description of their characters, and their main viewpoint character in particular. There are two basic schools of thought on this. The first is to keep details to a bare minimum –
Read more →Sooner or later, most writers go through a period of worrying that their work is full of clichés. Some folks take this to ridiculous extremes; one person I ran into was worried about their heroine’s hair color, because it just seemed clichéd to have her be blonde,
Read more →How well does a writer need to know her characters? There seem to be two sets of conventional wisdom about this. One holds that writing characters is rather like method acting – the writer has to become the character, so as to know them from the inside.
Read more →So you have a bunch of characters, and you want your readers to get to know them. How do you do that? Well, how do you get to know people in real life? You find out about them based on what other people say about them (“”He’s
Read more →In the comments on our last exciting episode, accio_aqualung asked: So pretend you’ve spent so much time on something that you’ve got gobs and gobs of backstory and little trivial details, like the MC is terminally left handed or her brother has to organize his pens in
Read more →Years ago, when I was an unpublished wannabe, I was at a local SF convention trying to learn the True Secret of Writing from the professional writers in attendance. One of them (I think it may have been Gordy Dickson) threw out a piece of advice that
Read more →To my mind, a purely altruistic, goody-two-shoes hero is even more boring and unrealistic than a purely evil villain. Maybe because at least the villain is getting something out of being a villain? All those armies to order around, and castles, and power, and so on. OK, people
Read more →One of the things you see a lot in fantasy stories is a villain who is purely and simply evil and knows it. No rationalizations, no semi-plausible rationales, not even a rotten childhood to blame it on, just the Dark Lord Who Wants To Take Over The World Because He
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