I’ve been plot-noodling with a couple of primarily character-centered writers lately, and I’ve noticed that they both have a similar problem. Most of the time, they don’t even see the places where they are dropping plot-hints…and when they do see them, they don’t immediately recognize them. One
Read more →Human beings are hardwired to notice what’s wrong. Historically, it was a lot more important to spot the tiger hiding in the bushes than it was to pick out the antelope grazing down the hill, because the tiger was a more immediate threat. Missing the antelope meant
Read more →Borrowing One of the shortcuts a writer can use for any of the Big Three story elements (plot, characters, setting/backstory) is to borrow them from somewhere else. “Somewhere else” covers a lot of ground; the caveat is that if one is going to borrow from anything that
Read more →The idea that every character must have a goal and a motivation, not only for the overall story/plot but for each and every scene in that story, has always been something that I have had trouble with. That is, until I realized that my difficulty was due
Read more →Every story has a central problem that the protagonist needs to deal with. Sometimes, the protagonist deals with it successfully; sometimes they fail. The problem may be something the protagonist doesn’t have but wants, something they need to do, something they need to realize, something they need
Read more →Writing a multiple viewpoint story, novel, or series means that you are will be juggling many different viewpoint characters, each with their own story as well as their contributions to the main plotline. Choosing those characters takes a bit of care and attention, especially for writers who
Read more →For a lot of stories, the choice of viewpoint character seems obvious, either because the writer starts with a character and develops the plot later, or because they start with a plotline in which one particular character is at the center of the action. I said “seems
Read more →An idiot plot was first defined by James Blish as “a plot that only hangs together because all of the main characters act like idiots.” I’d add “…when they’re not supposed to be idiots,” because there are plenty of stories about characters who are supposed to be
Read more →“No battle plan survives contact with the enemy.” – Helmuth von Moltk People in general do not do things completely at random. There may not be much conscious, deliberate planning involved in stumbling out of bed in the morning and getting the coffee or tea started, but
Read more →What makes a book great? Having read a lot of articles on the subject, I can say three things with considerably certainty: While there is some agreement about what books are great, there is very little agreement about why they are great. When asked what makes a
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