Carrying on a bit further from last week: Describing your point-of-view character can be tricky. If you’re in omniscient viewpoint, you may not need to; even when the omniscient narrator has an unusual voice and decided opinions, he/she isn’t a character in the story whose physical description
Read more →Got back to the daily frenzy yesterday. Going from vacation straight to house guests is enough to give you whiplash, even (or especially?) when the house guests are family… But part of the daily frenzy is the weekly blog post, so here I am. A couple of
Read more →I ran across one of those character-creation sheets the other day, the ones with 200 questions that are supposed to create your unique and wonderful protagonist. As usual, my immediate reaction was severely negative, which got me thinking about why. The first problem I have with these
Read more →I’ve seen quite a few new writers come near to wrecking their work by trying to follow well-intentioned advice about what must go in a story. Oddly enough, the two most common pieces of story-wrecking advice are diametrically opposed. The first is: “Your main character must change
Read more →Quite a few well-known writers have had strange, exciting, or adventurous lives. Ernest Hemingway was an ambulance driver during WWI, after which he did things like bull running in Spain and safaris in Africa; Samuel Clemens (aka Mark Twain) was a gold prospector, worked on the steamboats
Read more →This morning, I woke up to a good 3” or more of wet snow in my driveway. I shrugged and gave myself an extra ten minutes to get to they gym for my workout. I didn’t bother to shovel; I just backed out onto the street (which
Read more →“What drives your story, plot or characters?” There are a bunch of problems with this question. First off, what drives the story isn’t an either-or dichotomy; it’s a continuum that runs from the total-action-with-cardboard-characters tale at one end to the nothing-but-character-introspection story at the other end, with
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