Description in stories is fractal. No matter what the writer chooses to describe, there’s another level available if they want it. Describe a room: walls, floor, ceiling, furnishings. Describe the walls – stone or plaster, painted or natural, square or circular or irregular, empty or covered with
Read more →Carrying on a bit further from last week: Describing your point-of-view character can be tricky. If you’re in omniscient viewpoint, you may not need to; even when the omniscient narrator has an unusual voice and decided opinions, he/she isn’t a character in the story whose physical description
Read more →Got back to the daily frenzy yesterday. Going from vacation straight to house guests is enough to give you whiplash, even (or especially?) when the house guests are family… But part of the daily frenzy is the weekly blog post, so here I am. A couple of
Read more →Over the last couple of decades, I’ve noticed that more and more of the newer writers are over-describing things. It looks to me as if they are attempting to create a clear and specific image in words, the way a camera does with, well, a photo. At
Read more →Creating a novel – or anything, really – is like taking a trip around the world; no matter how much preparation you’ve done or how carefully you’ve planned things, the places you visit will be strange and surprising. Things will happen that you didn’t anticipate – some
Read more →When someone says “description,” most people think of static passages – a page telling the reader details about the current setting or background, or a paragraph about a character’s appearance. This isn’t the only way to approach that sort of description, though. It is often more memorable
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