Before you start critiquing someone else’s work, you are best off asking a few questions. Not questions about the story – usually, one of the things the writer is looking for is a fresh eye, a virgin reader, someone who has no idea what the story is about
Read more →I promised a while back that I’d post on training first-readers (or beta readers, or critiquers, or whatever you personally call them). I already talked about the difficulty of finding good crit, so I’ll try not to repeat too much of that. Working with first-readers starts with
Read more →Infodumps – those long passages of narrative summary that provide a huge wodge of background or plot development or characterization – have an undeservedly bad reputation among would-be writers. The allergy to infodumps is a bit of stylistic advice which is largely peddled to beginning writers, but
Read more →I seem to have acquired a reputation as some sort of worldbuilding maven, probably based on the Fantasy Worldbuilding Questions I came up with as a personal crutch during my middle career. I don’t actually think the reputation is deserved – really, it should belong to someone
Read more →Writing is difficult to talk about. I mean the real thing, the stuff that happens when you are sitting there with your paper and pen or your computer or your stone tablets and chisel and telling a story. We talk about bits and pieces of writing all
Read more →As I said in our last exciting episode, there are two kinds of novel outlines writers do: the sort meant to sell a manuscript to a publisher, and the sort meant to help the writer write the book. This post is about the second kind. The first
Read more →It’s been a little over a year since my mother died, and one of the things I inherited from her was her collection of cookbooks. It’s quite a collection, too. When Mom ran out of space on the kitchen cookbook shelf, she just started putting them elsewhere. I’ve taken three
Read more →I’ve been getting quite a few questions in the mailbag recently about writer’s block, and invariably they end with the anguished plea, “How do you know what happens next?” Which is a lot of the problem right there, in my opinion. Because “What happens next?” and “What
Read more →Description is one of those love-it-or-hate-it things. Some readers want more, more, more; they want to see every button and bead on the dress, every scratch on the woodwork. Other people roll their eyes and complain about slowing down the story when they run across long passages
Read more →One of the things you find a lot in writing books are prescriptions: This is THE (only right and workable best) way to write/develop a career as a writer. And they’re wrong. Or so I think, anyway. There is no One True Way to write. (This is
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