“Plot-noodling” is a term I came up with to describe a … thing … that I and some of my writer friends do when one of us is stuck; it involves the writer sitting down with one or (rarely) two other people, who ask the writer a
Read more →I’ve talked a bit about the difference between plot and structure, and some of the ways structure is currently being misused (in my opinion). But structure is still a massively useful concept, and that usefulness is the reason behind the huge focus so many how-to-write books and
Read more →Structure and plot are getting confused with each other more and more lately. It isn’t surprising. As I’ve pointed out before, writing terminology has never been truly standardized. Many terms, like “viewpoint” get used for more than one thing, and “plot” and “structure” are frequently treated as
Read more →An idiot plot was first defined by James Blish as “a plot that only hangs together because all of the main characters act like idiots.” I’d add “…when they’re not supposed to be idiots,” because there are plenty of stories about characters who are supposed to be
Read more →Last week, I talked about getting my plot outline up to a sketchy 1200 words. Usually, my plot outlines start off fairly specific (“Kayla is in the library with Harkawn, reviewing past Dark Lord grimoires. She is annoyed – what good is summoning a horde of mosquitoes?
Read more →I’ve spent the past month or so fiddling with the synopsis for the sequel to The Dark Lord’s Daughter (which I still don’t have a publication date for, but it will probably be at least a year and a half). Writing a new book is always a
Read more →Every so often, a new, old, or would-be writer reads a story that grabs their imagination and won’t let go. Many, many of these writers attempt to exorcise the demon by writing fanfiction, some successfully, some not. Those who are successful eventually face a choice: they can
Read more →There’s an adage about plot, probably originating in something John Gardner once said, to the effect that there are only two plots: either someone leaves on a journey, or a stranger comes to town. I think the more useful way of looking at this part of the
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