Two or more at a time

Every so often, someone asks me if I work on more than one book at a time. It’s a more complicated question than most people think it is, because there’s work, and then there’s work. Writing comes in phases. Very long phases, but phases nonetheless. There’s six

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Order and outlines

Back in grade school, when they taught us to write essays, the first step was always “decide on a topic,” and the second one was “make an outline/plan.” Nowadays there’s a lot more focus on creativity, i.e., writing fiction instead of essays. Based on what I’ve seen

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Where are you?

There’s an analogy that’s been around for a long time – I’ve been using it myself for years – comparing writing a novel to a long-distance road trip, usually at night. The comparison goes, in the car, you can only see as far as the headlights light

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Multitasking manuscripts

In the two years and a bit that I’ve been producing this blog, I’ve developed a rule of thumb that goes “Any time three people ask me more or less the same question in the same week, it’s probably time to do a post on the topic.”

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Hardy perennial

“Where do you get your ideas?” is probably the most-asked question writers get, and one of the reasons writers hate getting it is because it can actually be fairly hard to answer. Oh, not if the person asking the question is a semi-interested reader who’s more interested in making

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Murphy is a writer’s best friend

Lately, I’ve been getting anxious queries from a lot of close friends, who know a) exactly when my book deadline is, b) just how many other desperately important things I have going on to distract me from writing, and c) how many plot threads I still have

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Some uses for fanfiction

Fanfiction is a fascinating phenomenon. Yes, yes, I know that there’s still a huge argument going on between the people who think it’s all right to do and the people who consider it illegal, unethical, and unprofessional, but I think it’s a rather silly argument, on the

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The Value of Perversity

Teresa Nielsen Hayden, one of my many editor friends, once claimed that writers are like otters. Apparently, if you are trying to train animals, the normal method is to provide praise and rewards when they do something you would like them to do; the theory is that

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