Writing myths

There seem to be two basic myths about How Writers Work. The first is the painfully slow, unbelievably picky Brooding Poetic Genius typified by the Oscar Wilde remark about having a good day writing because he’d spent the morning removing a comma and the afternoon putting it

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NaNoWriMo

November approaches, and with it comes National Novel Writing Month, a “writing event” that involves people all over the world trying to write a 50,000 word novel from scratch during the month of November. Along with NaNoWriMo comes, inevitably, a flock of earnest would-be writers asking whether

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Changing Characters

One of the things writers are urged to do, over and over, is to create characters who grow and change over the course of their adventures. Obviously, growth and change are not an absolute requirement; there are plenty of long-running series in which the characters are exactly the

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Deciding to be a Writer

One of the questions I get asked a lot is “how did you decide to be a writer?” And the short answer is, I didn’t. Oh, I’ve been writing since I started my first (unfinished, unpublishable) novel in seventh grade, but it was always about writing, not

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Standing on your Head in the Shower

There is no bad way to write a story.  No editor cares how you wrote it.  No editor, to my knowledge, has ever rejected a story on the grounds that the author did not have a plan, character sketches, maps, or time lines before writing the story. 

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Choice paralysis

Starting a completely new story is exciting. There aren’t any constraints to worry about:  no dangling plot threads that you have to tie up, no previously established background that you have to stay consistent with, no inconvenient mysteries or revelations that you’re stuck with. It’s a clean slate,

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Default values

Nearly every writer has what I call a “default setting” for many or most of the basic pieces of writing. They tend to automatically write in first person, or third, or multiple viewpoint. When they’re thinking up stories or developing ideas, they gravitate toward the action/adventure plot,

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