Nanowrimo started yesterday. In case you’ve been living under a rock for the last seventeen years, Nanowrimo is short for National Novel Writing Month, a writer’s challenge that started in 1999 with the idea of writing a 50,000 word novel between November 1 and 11:59 on November
Read more →A quick aside: Sorcery and Cecelia in ebook form is on sale today, Wednesday October 26, for $1.99 through the International BookBub newsletter. So if you were waiting to pick up a copy, now’s your chance. Back to our regularly scheduled post. Regardless of whether an author
Read more →Different writers get different things “for free” – that is, different techniques and skills come naturally to different writers. I learned this early on, but it took years before I realized that I needed to apply that knowledge to more than my own first draft, and years
Read more →Last week, I got a series of questions from a student who was working on a worldbuilding project. Several of them caught my attention, most notably the one that asked when it is “appropriate” to use magic that has no strict set of rules in a story,
Read more →After a bunch of writing and due consideration, I changed my mind about what I’m doing in this post. I’m going to start with two posts on the basic features you see in writing software, and then look at a couple of specific programs. Because I was
Read more →The last two posts have talked about the basic parts of a plot. How you get to it – the process of building or fixing a plot – is pretty basic, too. The specifics tend to vary from writer to writer, and often from book to book,
Read more →Over the past few months I’ve had a number of writing questions that superficially are all very different, but that, if you back off a bit and look at them, boil down to “Ms. Wrede, why do people keep telling me that I can’t/shouldn’t use XYZ non-standard
Read more →There are three basic ways to get multiple plot points and payoffs into a story: you can do it on purpose in the first draft, you can do it by accident in the first draft, or you can do it in the rewrite. Putting in plot points
Read more →No writer I know can get through an entire novel without stopping at some point to make up more stuff, not even the most organized and linear of planners. The pantsers who make it up as they go along are a whole different kettle of fish, but
Read more →Looking at the story development process the way I have been in these last few posts makes it seem logical and straightforward, but that’s only because I was looking at one angle at a time. In actual fact, when one is making stuff up for a real
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