Plot is Hard, Part 2

Once you have an idea of the kinds of plots you like, how much you need to know to get started (and how much you need to not-know in order to keep going), and the kinds of things that seem to trigger good ideas for you, you

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Patterns

As many readers of this blog know, I am a knitter, and have been for years. When I first learned to knit, I wanted strict directions for anything more complicated than a rib-stitched scarf: a pattern that calls for this yarn and that needle size. I focused

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Making it up in general

Writing fiction comes in two parts: making it up, and writing it down. For some writers – the seat-of-the-pants sort who just sit down and wing it – the two things happen simultaneously, or at least so close together that it is practically impossible for anything working

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What if…

One of the really common recommendations for generating plot ideas is “Ask yourself What if… about something.” It’s the foundation of Alternate History stories, from changes that everyone recognizes – What if the South had won the Civil War? What if Napoleon had won at Waterloo? What

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Following a trail instead of a hook

A lot of attention gets paid to “writing a killer hook” for one’s story, to the point where I’ve known people to spend more time writing their very first sentence than they spend working on the whole rest of their story. Not all at once, of course.

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Later developments

The ideas I was talking about in the last post are seldom ready-to-write when they arrive. Even the ones that look ready to go often turn out not to be when one gets right down to it. I’ve talked before about the pre-writing story development, so this

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Meeting the Muse

“Where do you get your ideas?” Every writer I know is sick of being asked this question. Many writers have developed snappy non-answers: from a post office box in Schenectady, from a secret subscription service, from an idea-fairy who leaves them on the desk whenever I leave

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Andromeda Redux: Starting points

One of the things that seems to confuse a lot of people about plot, especially at the start of a story, is that they’re misidentifying what they have to hand, what they want to do, and how to get from one to another. What they have is

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Terror and dreams

Still with the process questions, starting with “What in the writing process TERRIFIES you (gives you bouts of anxiety)…and how do you push through it? For example, a blank page is both terrifying and exciting at the same time…” I think I spent ten minutes staring at

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