Making an impact

A novel is not a movie; writing a scene is not the same as filming one. It is amazingly easy to forget this, when we are constantly bombarded with visuals in our everyday lives, from movies and TV, to YouTube and those animated ads that are all

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Reactions

One of the things that bites even experienced writers from time to time is giving insufficient consideration to the ways their characters react to things. (Me blogging about this has nothing to do with the fact that I just turned in the copyedit for The Far West

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Fantastic history

This was supposed to go up Sunday; apparently being out of town glitched my brain and I managed to get it written but not posted. Sorry about that. We now return to our regular posting schedule. I’m in Tulsa at the moment, at the Nimrod conference, and

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Hack Writer’s Gambit

The other day, my walking buddy and I were discussing various bad-plotting mistakes made in various TV series, specifically the sort that used to be called “hack writer’s gambit.” I say “used to be called” because a quick series of googles found very little in the way

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Deeper still

Years ago, before I was ever published, I was at a convention where Gordy Dickson was answering writing questions for a mob of would-be hopefuls. And somebody asked the “how do I write deep characters?” question, and I was kind of disappointed in the answer, because it

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Surprise and Suspense

Alfred Hitchcock gave a famous definition of the difference between surprise and suspense. It boils down to this: If a bunch of guys are playing poker and suddenly a bomb goes off under the table, that’s a surprise. It’s not what the viewer expects. If, however, the

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Tag, You’re It

Yesterday, while bemoaning my lack of blog post topics to my walking buddy over our post-walk stop at the coffee shop (she gets coffee; I get tea), I had a revelation. (OK, not a big heavenly-choirs, life-changing sort of revelation, just a tiny hey-I-can-turn-that-into-a-blog-post revelation, but I’ll

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