In case anyone wondered, the interior pages got finished and turned in in good time. But today’s post is going to be more ranting about the WIP. Fair warning. Multiple viewpoint stories are inherently complicated. As a reader, I often find myself interested mainly in one specific
Read more →Edited to reformat for readability, per Deep Lurker’s suggestion. This is my version of how-I-develop-it-into-a-scene when I’m having particular trouble. In this case, I started with a conversation “sketch draft” with minimal movement. There are four characters present: Archie, the 15-year-old POV; Del, aged 10; and Harkawn
Read more →Last week, I talked about getting my plot outline up to a sketchy 1200 words. Usually, my plot outlines start off fairly specific (“Kayla is in the library with Harkawn, reviewing past Dark Lord grimoires. She is annoyed – what good is summoning a horde of mosquitoes?
Read more →I’ve spent the past month or so fiddling with the synopsis for the sequel to The Dark Lord’s Daughter (which I still don’t have a publication date for, but it will probably be at least a year and a half). Writing a new book is always a
Read more →The other day, one of my dear friends and I had one of those long, rambling, writerly conversations about our current works-in-progress, our process, and the horrors of the literary life. At this particular moment in time, we are at opposite points on the first two, which
Read more →Storyboarding is a structure analysis technique that comes out of the film industry, where it’s been used since the very early days to give writers, directors, and producers a sort of visual outline of a film. A true storyboard is a series of drawings, each of which
Read more →Back in July, I talked about Messing Around With Post-Its when I was three chapter into the novel, and came up with a plan for the next two or three chapters. This is an update on how that worked, and why. As a refresher, I had arranged
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