Writers, business plans, and me

The “Publishing Options” series concluded with the third post I did last week, but I wanted to also talk a bit about some of the other business decisions writers have to make. Specifically, about business plans. The vast majority of writers don’t have even an informal business

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The Post-Writing Prepublication stage

First, the announcements: The Dark Lord’s Daughter has an official release date of September 5! I got my ARCs (Advanced Reading Copies) last week, and it looks very nice. The cover looks like this: This phase of the publication process was particularly mysterious to me the first

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How I plot?

This is my last blog post for 2022. (I always take the Tuesday between Christmas and New Year’s off, so next week will be an off-schedule Open Mic, and the count to the next one will reset on the first Tuesday of the year.) I asked a

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How I Do It –Example

Edited to reformat for readability, per Deep Lurker’s suggestion. This is my version of how-I-develop-it-into-a-scene when I’m having particular trouble. In this case, I started with a conversation “sketch draft” with minimal movement. There are four characters present: Archie, the 15-year-old POV; Del, aged 10; and Harkawn

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Micro-level bad habits

A lot of story analysis and critique starts by focusing on macro-level aspects of storytelling: characterization, narrative, worldbuilding, plot, and the ways one develops or reveals these things over the course of a novel. Ultimately, though, how one presents characterization, growth, personality, action, worldbuilding, plot, and everything

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Finding the end

If you’ve read the last couple of blog posts about my current WIP, you may have noticed that the end of the story started off as “Kayla confronts the Archmage. Kayla wins. Everybody celebrates.” This is actually more specific than the end of my first-stage outline normally

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