One of my best friends is in need of some writing advice. She says: “I have vague ideas, or scenes, or a few lines of dialogue about a given idea, which I try to make notes of as they come. But I don’t know how or have
Read more →Some thirty-plus years ago, shortly after I sold my second novel and was well on my way to writing my third, I met up with a college friend whom I hadn’t seen since graduation. We talked a bit about what we’d done; I mentioned that my first
Read more →A lot of writers stall at the very beginning of story construction – at the idea stage – because they have never thought about the difference between situations, incidents/events, and actual plot, much less how to move from any one of these to any of the others.
Read more →“Rolling revising” is a writing term that I think is fairly clear, but I’ll take a whack at a quick definition: Instead of writing a complete first draft from start to finish, the writer periodically goes back over already-written parts and revises them before continuing, even though
Read more →“Beginning: The point in time or space when something starts.” – Oxford languages. From that deceptively simple definition stems a lot of writerly misunderstanding. At a rough and very unscientific estimate, around 90% of the writing advice on beginnings talks about what belongs in the first few
Read more →It is another Open Mic day! Announce successes, complain about problems, recommend a book, rave about a new recipe … whatever floats your boat.
Read more →“Plot-noodling” is a term I came up with to describe a … thing … that I and some of my writer friends do when one of us is stuck; it involves the writer sitting down with one or (rarely) two other people, who ask the writer a
Read more →A lot of story analysis and critique starts by focusing on macro-level aspects of storytelling: characterization, narrative, worldbuilding, plot, and the ways one develops or reveals these things over the course of a novel. Ultimately, though, how one presents characterization, growth, personality, action, worldbuilding, plot, and everything
Read more →Writing a multiple viewpoint story, novel, or series means that you are will be juggling many different viewpoint characters, each with their own story as well as their contributions to the main plotline. Choosing those characters takes a bit of care and attention, especially for writers who
Read more →Multiple viewpoint stories, especially the sort that are occasionally termed “bestseller style,” have become increasingly popular over the past couple of decades – popular with would-be writers, at least. Some people hear the saying that “viewpoint solves everything” and assume that it means all they have to
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