I’ve seen quite a few new writers come near to wrecking their work by trying to follow well-intentioned advice about what must go in a story. Oddly enough, the two most common pieces of story-wrecking advice are diametrically opposed. The first is: “Your main character must change
Read more →Voice and viewpoint are inseparable, no matter what viewpoint the writer is using. This is true of all viewpoints to some extent, but it is most evident in first person. In first person, the viewpoint character is the putative storyteller, so that character’s voice is the narrative
Read more →“Viewpoint fixes everything,” I heard a writer claim at a convention some years back. Well, that depends on what you mean by “viewpoint” and how you expect to use it to “fix” things. “Viewpoint” in fiction can mean either the viewpoint character (the narrator, through whose eyes
Read more →I just finished reading a series that I thought was a bit of an object lesson, both in terms of what I think worked and what I think didn’t, so I decided to break a ten-year streak and actually review some fiction. The series is Anne Bishop’s
Read more →Do you have any professional editors that you would recommend? The short answer is “No.” All the professional editors I know work for publishers, and I don’t think any of them do freelance work on the side. The longer answer starts with a question: Why do you
Read more →Every writer has things they allow to keep themselves from writing. One of the most common is the internal critic or internal editor – that voice in one’s head that picks apart one’s work, pointing at all the things that are wrong with it, from typos and
Read more →Quite a few well-known writers have had strange, exciting, or adventurous lives. Ernest Hemingway was an ambulance driver during WWI, after which he did things like bull running in Spain and safaris in Africa; Samuel Clemens (aka Mark Twain) was a gold prospector, worked on the steamboats
Read more →Ursula le Guin was and is one of my favorite writers, and when she published a book on writing some twenty years ago, I grabbed it at once. I wasn’t disappointed. Steering the Craft: Exercises and Discussions on Story Writing for the Lone Navigator or the Mutinous
Read more →Over the last couple of decades, I’ve noticed that more and more of the newer writers are over-describing things. It looks to me as if they are attempting to create a clear and specific image in words, the way a camera does with, well, a photo. At
Read more →Creating a novel – or anything, really – is like taking a trip around the world; no matter how much preparation you’ve done or how carefully you’ve planned things, the places you visit will be strange and surprising. Things will happen that you didn’t anticipate – some
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