Obsessive overbuilding

The flip side of forgetting about the implications of all the things one puts into one’s worldbuilding is becoming obsessed with getting every detail just so.  It  is a great way not to produce a lot of finished writing. Overbuilding an imaginary world is a problem that is

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Happy holidays

Merry Christmas, everybody, and happy whatever-you-celebrate-at-this-time-of-year! My Dad and youngest sister are here for Christmas this weekend, so I’m doing the big Christmas dinner thing, with full tree (and happy cats eyeing ornaments whenever they aren’t on someone’s lap getting petted). Which means this will be a

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Implications

Back in the day, I spent a couple of years as gamesmaster for what would now be called an RPG that I basically made up myself, based around the background I was using in my Lyra series. Paper-and-pencil gaming was fairly popular then, at least in my

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Da Rulez

Recently, I got an email from a reader asking about the relationship between a writer’s success and/or fame and that writer’s ability to disregard the rules of writing and still have their books be considered great. The two sides of the argument seemed to be 1) once

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Chapter’s End

Having just talked a bit about beginnings, I’m now going to talk about endings…sort of. Specifically, I’m going to talk about chapter endings, because when you’re writing a novel, you end up having to do quite a lot of those. A good chapter ending, from the point

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The Opening

It has become a truism in writing that one should always open a story with a “hook” – something that grabs the reader and pulls them into the story, forcing them to keep reading. The problem with this is that what “hooks” one reader will annoy or

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Exercising, Part 2

Having gone on and on about how much I dislike writing exercises, I’m now going to talk a bit about how and when I think they’re useful. That would be mainly as very specific, targeted ways of addressing particular problems or writing skills that aren’t as developed

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