Two or more at a time

Every so often, someone asks me if I work on more than one book at a time. It’s a more complicated question than most people think it is, because there’s work, and then there’s work. Writing comes in phases. Very long phases, but phases nonetheless. There’s six

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Hack Writer’s Gambit

The other day, my walking buddy and I were discussing various bad-plotting mistakes made in various TV series, specifically the sort that used to be called “hack writer’s gambit.” I say “used to be called” because a quick series of googles found very little in the way

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Getting to know them

Characterization is one of the things I had a hard time getting a handle on. In my early books, I was doing it all by instinct – which was all well and good (I still do it pretty much by instinct), except that I hadn’t thought about

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Banned Books Week 2011

Some years back, a good friend of mine told me a story about her nine-year-old son, who came to her wanting to read a particular series of adult books that he’d heard his late-teenaged siblings talking about. The books in question were great adventure books, but they

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Hooking the Reader

I’ve talked before about the opening of a story and some of the things that can go wrong with the all-drama, all-action, all-the-time “hook.” But it occurs to me that I haven’t talked much about what a hook is, or how to do it right. Hence today’s post.

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