When it IS a plot

The reason I started the last post with a bunch of examples of what plot is not was twofold: first, as I said, lots of people’s plot-problems seem to happen because they are starting from something that sort of looks like a plot, but actually isn’t one,

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Andromeda Redux: Starting points

One of the things that seems to confuse a lot of people about plot, especially at the start of a story, is that they’re misidentifying what they have to hand, what they want to do, and how to get from one to another. What they have is

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Here we go again!

The elbow is not completely healed, but it is much better. I’m still not allowed to lift anything heavier than a coffee cup, but typing isn’t about lifting, so that’s all right. However, I’m planning to ease back into things – I’m going to be posting once

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Andromeda and More Stakes

Lots of writers have a problem figuring out what the actual stakes are (as opposed to the perceived stakes). Quick review: the actual stakes are what’s really at stake for the character; the perceived stakes are what the character currently thinks is at stake. One reason for

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Stakes

OK it looks like I’m going to do a series of posts on plot. Let’s start with the stakes. Objectively speaking, the stakes are the thing that is to be lost or gained, depending on how things go. The stakes are crucial; if they don’t matter, the

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Deadlines

Deadlines. Some writers love them, some hate them, and some don’t seem able to finish anything unless they have one. And how many times have you heard someone say (not necessarily about writing) “I do my best work when I have a deadline to meet”? Around a

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Writing with a Day Job

Back when you were working a FULL TIME JOB (in finance?) what was your schedule like? Did you have to burn a lot of midnight oil, and come to work exhausted the next day? How did it feel and what tips might you have for those of

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