When it comes to characters, one of the first things writers are told is that characters should be “well-rounded.” This is usually followed by advice like “know your character’s purpose” and “give them flaws.” Sometimes, there’s more specific advice, such as “demonstrate (i.e., “show”) characterization in actions
Read more →Another question: I can do my own voice, or a child’s voice. That’s it. I have no idea how to figure out how another character would speak, especially someone who has a big speaking part. How do you improve at this? Is there a way to research
Read more →Just as “villain” and “antagonist” are frequently used as synonyms, “hero” and “protagonist” are also confused a lot. But there is an added factor for some people, namely, where “main character” and “viewpoint character” fit. So first, some definitions and examples. “Main character” is a somewhat broader
Read more →“Villain” and “Antagonist” are frequently used as synonyms, because they fill roughly the same niche in a story. They aren’t quite the same thing, though. Villains are fundamentally evil; antagonists aren’t necessarily evil, or even bad. Stories always have some sort of antagonist, but that antagonist is
Read more →Some years back, I had a writer friend who’d switched from being a journalist to writing fiction. She told me once that for her, the hardest part of writing fiction was learning not to automatically apply the basic journalism tenet: “Tell them what you’re gonna tell them,
Read more →The character-driven story currently seems to be most people’s Platonic Ideal for fiction, especially when compared to the plot-driven story…and those are the only two options most writing advice and/or classes present to writers. It’s taken for granted that one of these things–characterization or plot–must inevitably take
Read more →Whether you’re struggling through a first draft, revising a completed manuscript, or composing a query letter, one of the more useful things you (or your prospective agent/editor) should probably know is what is at stake for the characters in your story. But what, exactly, does that mean?
Read more →A long time ago, I attended a workshop in which the presenter asked us to write a one-page description of our ideal day. I couldn’t do it. I don’t have one “ideal” day that I’d be happy to repeat over and over—no matter how good a day
Read more →Most of the time, people analyze story structure as a chain of actions and the consequences of those actions, leading to an eventual climax. While that’s true for a lot of writing, it ignores a critical factor that is so obvious and necessary that I, like many
Read more →Writing a novel is a balancing act. It starts with the Big Three (characterization, setting/world-building, plot). Each of those usually has the potential to expand exponentially in several different directions at once. At the start (and sometimes all the way through the middle), it seems as if
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