“Practice drafts” are my least favorite thing about writing. It took me years to admit I sometimes need them, and longer still to actually implement them in any useful way, and I don’t use them very often even now. But when I need them, they’re really useful.
Read more →Writing books and classes are really fond of writing exercises, especially the ones that are intended for classroom use. I hated them for years—to me, they always seemed like a waste of time. I wanted to be attempting to write pay copy, even if my “pay copy”
Read more →For many readers, one of the more effective ways of describing a scene is through the viewpoint character. The technique is a sub-category of “description as seasoning,” which I talked about last post, but it’s hard to describe in a brief paragraph. Hence this post. The first
Read more →“You do not rise to the level of your goals. You fall to the level of your systems.” – James Clear, Atomic Habits I’ve had several requests to talk about systems for writing fiction. The trouble is that a good, workable system is particular, even when it’s
Read more →Writing a novel is a balancing act. It starts with the Big Three (characterization, setting/world-building, plot). Each of those usually has the potential to expand exponentially in several different directions at once. At the start (and sometimes all the way through the middle), it seems as if
Read more →The holiday season is always a bit tricky when it comes to blog posts. I generally take the week off between Christmas and New Years, so next week will be another Open Mic, available for whatever people want to discuss (or just for exchanging holiday wishes). I’ll
Read more →Deep Lurker’s request was second, for a post “on ways to depict events spread over several months.” If someone has been writing stories that take place over a couple of days or weeks, being faced with a story that takes place over a year or more can
Read more →Every so often, I get asked about finding beta readers. This is my take: Step 1: Decide what you want from a beta reader. Some writers want (and need) encouragement—the proverbial “five pages of closely reasoned praise.” Other writers want something specific; they want to know if
Read more →I think it was in fifth grade that I learned my first important principle of description, which a number of commenters on last week’s post mentioned—namely, to make use of all five senses, not just sight. Poul Anderson said once that he went over every page to
Read more →Back when I still had a day job, I was a financial analyst. It is therefore really unsurprising that I enjoy looking at writing systems that are very structured and involve analyzing stories to pick out what works or doesn’t work. There are, however, a couple of
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