The End of the Plot

For a lot of writers, endings are the hardest part of plotting. Either they know where they want the story to end up, but not how to get there, or they know a lot of things about the story, but can’t seem to work out what the

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Brainstorming blockages

“The best ideas don’t need to be sought out at all; you just have to train yourself not to swerve out of the way when they jump out in front of you.” – Jon Forss Brainstorming is a mental activity, so it is unsurprising that most of

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Learning to see

One of the experiences that is common to most long-time readers is that of running across a book that they loved when they first read it (usually ten or more years previously), settling down for an enjoyable re-read, and realizing that the book is horrible. It’s not

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Making stuff up: plot to characters

The plot-centered story is popularly assumed to be the territory of the action-adventure story. This is because action-adventure pretty much requires a strong plot. But we’re talking about process here, and the way writers make stuff up, and that means that the kind of story is irrelevant.

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Where it happens

Setting is one of the things that seems to get short shrift in a lot of beginner stories/novels. Even writers who are devotees of the Tolkien School of Background and Appendices tend to focus on the history and politics part of worldbuilding, and occasionally on various aspects

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