The Down Side of Quotas

One of the ways writers attempt to make themselves produce more words fast is to give themselves quotas and/or deadlines. “I will write 1,000 words/four pages/for three hours every day/week/month.” Most of the time, this doesn’t work terribly well for me, for several reasons. The most obvious

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Getting the Backstory In

A character’s backstory – all the stuff that happened to them prior to the start of the novel – starts with the highs, lows, traumas, and major life events of the character’s past. This is the stuff that has shaped the character’s personality – what they want,

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Nuts and Bolts: How I Fix Things

One of the reasons I spent the last two posts on the process part of revision is that I believe that understanding your process saves enormous amounts of time in the long run. Specifically, having some idea how your first-draft process works and what exactly you’re trying

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Keeping the Reader Reading

Ultimately, writing is all about keeping the reader reading. There’s all sorts of advice out there on how to do this, ranging from cheap tricks to dense psychological analysis. Ultimately, though, all of them are a means to an end, and the end boils down to this:

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The End of the Plot

For a lot of writers, endings are the hardest part of plotting. Either they know where they want the story to end up, but not how to get there, or they know a lot of things about the story, but can’t seem to work out what the

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Brainstorming blockages

“The best ideas don’t need to be sought out at all; you just have to train yourself not to swerve out of the way when they jump out in front of you.” – Jon Forss Brainstorming is a mental activity, so it is unsurprising that most of

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Learning to see

One of the experiences that is common to most long-time readers is that of running across a book that they loved when they first read it (usually ten or more years previously), settling down for an enjoyable re-read, and realizing that the book is horrible. It’s not

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