Old ways of looking at plot

Most experienced writers know in their bones that plot operates in far more directions and on far more levels than most modern how-to-write books acknowledge. It’s the folks who’re just getting started who get bogged down in strict adherence to the basic skeleton or act structure, or

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Lost Gold

One of the things I inherited from my mother was her collection of writing textbooks. Most of them date from the 1940s and 1950s; a few are as recent as the 1970s. It’s fascinating to look at them, especially in light of my own far more recent

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Keeping track

When a writer has a big, complicated novel with lots of subplots and plot arcs that need to weave around each other, there are two main things he/she needs to do: 1) keep track of all the things that are going on offstage and in different plot

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Making an impact

A novel is not a movie; writing a scene is not the same as filming one. It is amazingly easy to forget this, when we are constantly bombarded with visuals in our everyday lives, from movies and TV, to YouTube and those animated ads that are all

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Hardy perennial

“Where do you get your ideas?” is probably the most-asked question writers get, and one of the reasons writers hate getting it is because it can actually be fairly hard to answer. Oh, not if the person asking the question is a semi-interested reader who’s more interested in making

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Murphy is a writer’s best friend

Lately, I’ve been getting anxious queries from a lot of close friends, who know a) exactly when my book deadline is, b) just how many other desperately important things I have going on to distract me from writing, and c) how many plot threads I still have

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Chapter’s End

Having just talked a bit about beginnings, I’m now going to talk about endings…sort of. Specifically, I’m going to talk about chapter endings, because when you’re writing a novel, you end up having to do quite a lot of those. A good chapter ending, from the point

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Third person: an overview

As I’ve said before, the terms “viewpoint” and “point of view” can mean two different things: either the viewpoint character or the type of viewpoint (first, second, or third-person). I’m using it in the second sense today. Third person viewpoint, taken as a whole, is probably the

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