Ladders

One of the first things most people realize after they’ve sold their first novel is that, contrary to expectation, they haven’t reached the top of the tree. Instead, they’re now on the bottom rung of a whole new ladder. This comes as a great shock to some

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No battle plan…

“No battle plan survives contact with the enemy.” – Helmuth von Moltke “A writer should always reserve the right to have a better idea.” – Lois McMaster Bujold Prewriting notes – whether they’re about plot, background, or characters – are the writer’s battle plan, and therefore exceedingly

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It’s not the same

There are a number of bits of wisdom that nonwriters frequently impart to writers, usually with the best of intentions. Some of them are useful and very true, like “You need to send that out, you know.” Other times…not so much. One of the not-so-much categories comes

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Plotting and planning

Plotting a story is one of those writing things where not only does every writer work differently, every book works differently. Oh, there are patterns – I’ve talked before about my write-a-plan-and-then-toss-it method – but they never seem to work one hundred percent consistently for even one

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Characters, Plot, and Process

Writing processes are interesting things, not least because there are so many different kinds. Mine is particularly odd, in that I am neither a sit-down-and-wing-it writer, nor am I a plan-in-advance-and-stick-to-the-plan writer. I’m smack in the middle of the range, a plan-in-advance-and-then-periodically-throw-away-the-plan writer. The reason why I

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The First Veil

It’s pretty easy for most writers to get about four chapters into something based on an interesting idea/situation/character/plotpoint and a bunch of mysterious happenings. But somewhere around Chapter 4, one hits what has been variously termed “the wall,” “the first veil,” or “the first event horizon.” Sometimes

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Useful and unuseful lists

The other day I was browsing writing web sites and came across one that made me blink. Every post for months had a title like “Seven Dialog Mistakes” “Five ways to a Great Scene” “Ten Resolutions for Career Writers” “Twelve Dynamite Endings.” OK, I get that a

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What Kind of Skeleton

I’ve been thinking a lot about the classic plot skeleton lately, for a variety of reasons, and I’ve been getting steadily more annoyed with most of what’s written about it, and about plotting in general. The trouble is that most of what’s written about plot and plotting

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Layering

One of the things that makes writing difficult for a lot of folks is the notion that they have to do everything at once, on the first try. They’re sure their first draft has to look pretty much like an actual story – maybe it needs some

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