There is no bad way to write a story. No editor cares how you wrote it. No editor, to my knowledge, has ever rejected a story on the grounds that the author did not have a plan, character sketches, maps, or time lines before writing the story.
Read more →Starting a completely new story is exciting. There aren’t any constraints to worry about: no dangling plot threads that you have to tie up, no previously established background that you have to stay consistent with, no inconvenient mysteries or revelations that you’re stuck with. It’s a clean slate,
Read more →Probably the most often-asked question writers get is “Where do you get your ideas?” Very few people ever ask “What do you do with your ideas once you have them?” though that seems to me to be the logical next step. It seems a good many people
Read more →Every saga has a beginning, and this one begins four weeks ago, when my editor sent me a three-page, single-spaced revisions e-mail and a copy of the ms. for what is now Across the Great Barrier that was full of comment balloons. It didn’t arrive. We didn’t realize this for
Read more →I’m currently just getting started on the third, as-yet-untitled book of the Frontier Magic trilogy, and the first step of that is working out the plot in more detail than “they explore the Far West to find out what happened to Lewis and Clark and what’s up
Read more →Nearly every writer has what I call a “default setting” for many or most of the basic pieces of writing. They tend to automatically write in first person, or third, or multiple viewpoint. When they’re thinking up stories or developing ideas, they gravitate toward the action/adventure plot,
Read more →Barely over a week ago, I turned in the first draft of Circuit Rider, after a major death-march push to get the thing done somewhere within shouting distance of deadline. The plan was to spend a couple of weeks taking care of everything that got put off
Read more →How well does a writer need to know her characters? There seem to be two sets of conventional wisdom about this. One holds that writing characters is rather like method acting – the writer has to become the character, so as to know them from the inside.
Read more →Writing is difficult to talk about. I mean the real thing, the stuff that happens when you are sitting there with your paper and pen or your computer or your stone tablets and chisel and telling a story. We talk about bits and pieces of writing all
Read more →Theme is something I’ve been thinking about for years, because it’s one of those writing things that I can’t seem to ever quite grasp when it comes to my own writing process. Thanks to my excellent high school English teachers, I can pick out and analyze themes in
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