Describing settings

Learning to describe things! … in trying not to overwhelm my readers with too much information because worldbuilding, I’ve been giving way too little re: scene setting. –LN Looks like I have a bunch of questions, which is great—it means I don’t have to think up as

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Open Mic for October

Chat amongst yourselves–what are your current WIPs, problems, brilliant new ideas, plans for Halloween, whatever! And ask if there’s anything you’d like a blog post on. Or anything you’re sick of hearing me rant about…

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Why writing is like cold fusion

It has recently occurred to me that the real problem with writing a novel—or with giving advice about writing a novel—is that writing a novel is a lot like inventing cold fusion. No one in the world has ever invented cold fusion. People have invented a lot

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Villains, Part 2

Wow, people in comments have already covered a lot of what I was going to say about villains in this one. I still have a few things to add, though… Starting with: What kind of villain suits your story? If you’re writing The Lord of the Rings,

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Well-rounded villains, part 1

Look at any book or blog of fiction-writing advice, and you will most likely find a bunch of statements about the desirability of complex, well-rounded characters. Some give you twenty-page questionnaires to fill out in advance of writing, as if listing a character’s flaws and childhood traumas

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Trusting your gut

Understanding how stories work improves one’s ability to put them together better. What many people don’t get is that “understanding” can be intuitive as well as—or instead of—analytical/intellectual. Both ways of understanding are subject to error. The “gut feel” that X is the right thing to do

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The Back End

One of the things I keep coming back to is the fact that writing, especially writing for a living, is a business. It doesn’t have to be—for instance, people who write fanfiction for free don’t have to worry about that part. But anyone who gets paid for

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Using news techniques in fiction

Back in high school, I took a semester of journalism. The teacher focused hard on the “5 W’s and an H”—Who, What, When, Where, Why and How—and also on the structure of a news story (most important stuff in the first paragraph, steady increase in interesting-but-less-important details

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Pause-fillers

As I’ve said before, dialog isn’t a transcript of the way people talk. It’s a stripped-down model that takes out the majority of verbal pause-fillers that don’t add meaning most of the time, such as “um,” “er,” “you know,” “like,” “uh,” “well,” etc. The catch is that

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