A long time back, I heard a story about a man who wanted a famous artist to draw him a picture of a cat. “Come back in a year,” the artist told him. A year later, the man returned, eagerly anticipating the masterpiece that had taken the
Read more →There are two sorts of outlines that writers do: submission outlines and planning outlines. A submission outline is my term for the one you send to the agent or publisher in hopes of selling the book. A planning outline, on the other hand, is a writing tool.
Read more →One of the reasons I spent the last two posts on the process part of revision is that I believe that understanding your process saves enormous amounts of time in the long run. Specifically, having some idea how your first-draft process works and what exactly you’re trying
Read more →Writers go about doing revisions in different ways, depending on the what and why of the revisions and on the writer’s personal best process for them. As always, there is no One True Way; if what you are currently doing isn’t working, try something else. The only
Read more →Fixing a broken manuscript comes under the general heading of “revisions,” and since I haven’t talked about revising for a while, and since I’m in the middle of doing some in the current WIP, this seems like a good time to go over them. There are three
Read more →The other day, one of my dear friends and I had one of those long, rambling, writerly conversations about our current works-in-progress, our process, and the horrors of the literary life. At this particular moment in time, we are at opposite points on the first two, which
Read more →One of the first tasks most writers face is improving their dialog. This seems to happen in stages. In my experience, beginners start by writing dialog the same way they write narrative, in long, formal, complex sentences without idioms or contractions. Characters frequently speak in paragraph-long speeches
Read more →Ultimately, writing is all about keeping the reader reading. There’s all sorts of advice out there on how to do this, ranging from cheap tricks to dense psychological analysis. Ultimately, though, all of them are a means to an end, and the end boils down to this:
Read more →“What drives your story, plot or characters?” There are a bunch of problems with this question. First off, what drives the story isn’t an either-or dichotomy; it’s a continuum that runs from the total-action-with-cardboard-characters tale at one end to the nothing-but-character-introspection story at the other end, with
Read more →For a very long time, I thought (and I’ve said here) that I hated writing exercises and writing prompts. Then I started talking to people about writing, and some of them demanded that I give them exercises. After much thought, I came to the obvious conclusion that
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