One of the first challenges a new writer faces is that of showing characters who are different from the writer in a convincing and realistic manner. Everybody knows this if they think about writing at all; most beginner-advice books talk about it. And most make one of
Read more →A while back, I was talking with a would-be writer who started off with all sorts of sensible questions about writing characters and plotting and so on. Then I looked at some samples of her writing, and realized that the particular writer was trying to get ahead
Read more →These days, a career in writing has innumerable options. Even if you limit yourself to fiction, there’s screenwriting, playwriting, comics and graphic novels, short fiction, novels, and that’s all before you even get to the Internet and ebook side of things. And it’s not just a matter of deciding for yourself
Read more →There are several reasons why, for the last two posts, I have been using terms like “planning” and “pre-writing” and “notes” more often than “outline.” The main one is that the outline that the writer sends to an editor as part of a proposal is a very
Read more →OK, since there seems to be yet more interest in plot planning and prewriting and how to do it, you get still more posts on the subject. This one is on alternate ways of doing plot-related planning; next one will be on the kind of outline you
Read more →So if you are going to do some pre-planning before you start writing your book, where do you begin and how do you do it? As usual, it depends on the writer and the story, but here are a few things to consider: First, why are you
Read more →There are a lot of bits of advice floating around for would-be, wannabe, and newbie fiction writers who are having problems getting started. There are currently a plethora of how-to-write books advocating serious advance planning, ranging from detailed outlining systems, to starting with different sets of character
Read more →Spelling, grammar, punctuation, syntax. For a lot of would-be writers, they seem to be love ‘em or leave ‘em – which is to say, many of the folks I talk to have either an absolute slavish devotion to formal grammar, punctuation, or else a firm conviction that
Read more →I’ve been saying for a long time that there are only two rules for writing: 1) You must write, and 2) What you write has to work. And I keep running into writers at opposite ends of the spectrum who really, really, reeeeeeaaaally don’t like that. The
Read more →Endings are a problem for a lot of writers on a lot of levels. People have trouble making them convincing, trouble making them dramatic, trouble keeping them from dragging out or being too abrupt. One of the problems that seems surprisingly common is picking out the ending
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