OK, first the news: Sorcery and Cecelia is the Sizzling Book Club pick this month and Caroline and I will be joining their Live Chat on Wednesday, December 19 (that’s Wednesday, one week from today). The live chat starts at 9 pm EST and runs for an hour
Read more →“No battle plan survives contact with the enemy.” – Helmuth von Moltke “A writer should always reserve the right to have a better idea.” – Lois McMaster Bujold Prewriting notes – whether they’re about plot, background, or characters – are the writer’s battle plan, and therefore exceedingly
Read more →Plot and characters go together like green eggs and ham; one without the other just isn’t as interesting. Yet a lot of writers consistently have trouble making them work together. Either they’re so focused on their characters that they forget to make the plot work, or they’re
Read more →Every once in a while, I come across someone who has a blind spot for a particular major part of writing: description, emotions, action, internal monologue, or whatever. A lot of these folks think they can’t write because, without whatever it is they’re missing, their stuff doesn’t
Read more →Most novels have three parts: beginning, middle, and end. At least, that’s what Aristotle said, and who am I to argue with a guy whose writing advice has been taken seriously by folks for the last 2000+ years? Today I want to talk about the end. First
Read more →Every so often, somebody asks me if I do research for my stories. I suspect this is because I write fantasy, and there is a perception among non-fantasy writers and readers that fantasy can simply be made up straight out of one’s head, without regard to tedious
Read more →One of the persistent pieces of advice given to new and would-be writers is “Don’t talk about your work until it’s finished!” Some folks get incredibly passionate about it, running on for pages in their how-to-write manuals and blogs, or shouting and waving their arms if they’re
Read more →Foreshadowing is the subtle art of suggesting or hinting at developments in plot, characterization, or setting that will happen later in the story. It’s a promise to the reader that the gun on the mantelpiece will go off eventually, that the main character will be forced to
Read more →Let me start by pointing out that I’ve never written a screenplay myself. I’ve read some, and I’ve worked with some doing novelizations, but that’s a bit different from writing them myself. I feel the need to point this out because I keep running into folks who
Read more →Patricia, what is the dividing line between editing and meddling? The retitling of one of the Harry Potter books comes to mind.- Gene Wirchenko There are a lot of flip answers I could give to this question, because it’s based on a fundamental misconception about the publishing process:
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